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Review – Steve Stred’s The Stranger

My first introduction to Steve Stred was his novella The Girl Who Hid In The Trees. That novella was one that took me completely by surprise. It depicted a group of children, troubled by disappearances, who end up spending a night in the woods to disprove a local legend. What follows is a series of horrific encounters that flay the mind of the reader. The most impressive thing about the novella was the way it developed its characters, and the relationships between them, in such a short space; an all-too-convincing portrayal of adolescent anxiety, love, and friendship. The other thing that impressed me was Stred’s ability to ‘go there’. We see some pretty horrifying things happen to these people we come to care about. I greatly admired Stred’s fearlessness.

I knew that Stred was a major talent working in the field of horror from that moment. So, when I saw he had released another novel, titled ominously The Stranger, I knew I had to get my hands on a copy.

The Stranger sees us returning to the woods, which seem to be a source of anxiety or perhaps intrigue for the author. This time, we follow a family: Malcom, a hard-working but racist son-of-a-bitch, his wife Sam, and his two children, Britney and Tom. The family spends every year at the same nature resort. It’s almost as if Malcom is drawn to this place, though he isn’t sure why. He assumes it’s just because of the hiking, nature trails, and bike paths.

This year, however, things are different. The camp is being run by a strange man in an expensive suit and a necklace of what looks like (surely it can’t be) human teeth. And, even more to Malcom’s annoyance, they have a new neighbour, a native American man called Wandering River that Malcolm instantly dislikes. Steve deftly portrays the inherent racism at play without laying it on too thick. He drops us subtle clues throughout about Malcom’s attitudes and motivations which explain his actions and behaviours later on.

We sense Malcolm’s distain not only towards Native Americans, but also towards his environment. In other hands, Steve’s two big themes: our environmental footprint and the lack of equality in modern society, could be clunky or even preachy, but he ensures that we are invested in the characters and that the story itself remains king. Throughout, we alternate between sympathy and loathing, between understanding and repulsion. These undertones build along with the horror-tension, until one explosive scene where all hell breaks loose, and Malcolm and his family will never be the same again.

You see, Malcolm’s family take something from one of the ancient structures lying in the depths of the park. Now, the spirit that presides over the forest, the being known only as The Stranger, must take something from them…

Steve Stred’s handling of the supernatural elements in The Stranger is so potent it’s alarming, genuinely making me want to turn the light on at night. He shifts genre effortlessly: from family drama with racial undertones, to explosive Evil Dead-style splatterpunk, to a dark quest into an almost fantastical landscape. His explosive storytelling feels a little like the pacy prose of the great Carlton Mellick III, but with an added mix of bleak Japanese horror (Stred’s horror is similarly all-powerful and inescapable, which makes it all the more terrifying). The Stranger is even more effective than The Girl Who Hid In The Trees because he holds back for the first third or so of the book, building our expectation to excruciating levels. There are so many memorable moments in this story, both of the horrifying and emotive kind. His unflinching portrayal of loss and human suffering sets him apart from many other writers.

Alongside asking us to care more about our environment and our fellow man and woman, Stred asks some other big and bold questions. He asks whether its really is possible to redeem ourselves, and whether any apology is sufficient make up for catastrophic wrongs. He asks the question of what a creator of a universe might look like once they realise how screwed up human beings have become. And, he asks us to look at ourselves, because as we discover in The Stranger, can we really be sure who we are anyway?

In a way, I guess, the real stranger is the one we are to ourselves.

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Epic Bootcamp Is Here!

Time to kick Monday’s ass! It’s here! It’s finally here! A year in the making: THE EPIC BOOTCAMP. How to get your story from ‘eh’ to ‘epic’ with a little help from me and my friends! 

Phew. That was a little bit dramatic! Let’s take a step back! So, what is the Epic Bootcamp and how did it come about? 

As many of you know, I am an editor and ghost-writer, as well as a novelist and fiction-author. I help writers get their novels polished, identify structural weaknesses, and sharpen their prose. My aim is always to teach writers techniques so that they can, in the future, go forward without my help.

However, editing manuscripts is VERY time-consuming. Especially 90-120,000 word epics (which are the kind of books I like to read). Because of how long it takes to fully master-edit a book like this, it therefore becomes really expensive for the writer to invest in editing (and I’m on the cheap side!). As I said, I try to teach them techniques so that they don’t need me in the future – to add as much value as possible. With each edit, I try to impart a few more of my tricks and techniques to help them reach a level where they have their own voice, and they feel they can handle narratives without that guidance.

However, many people, and especially us creatives it seems, don’t have access to financial resources for master-edits on their novel. As someone who knows what it’s like for the energy company to turn off the power, I knew I had to address this imbalance and help out the millions of low-income creatives out there, who have just as much of a right to upgrade their writing. So, I wracked my brains as to how I could best address this. How could I explain some of my techniques and narrative strategies, but not bankrupt myself in the process?

The answer is the Epic Bootcamp.

The Epic Bootcamp is my attempt to create something affordable for writers who want to improve their craft but can’t afford to work with me one-to-one. Although I would also highly recommend it for anyone looking to level-up their storytelling, even those who have worked with me before. It is an online training course divided into seven modules. Each module covers a different aspect of storytelling from creating epic protagonists, learning from the past to help us write our stories now, to structure, endings, and more. Not only does each module have a 30-60 minute audio file of pre-scripted content,  but also another 70 – 120 minute audio with a special guest interview (transcripts are available on request too for those who are hard of hearing). These include interviews with indie filmmakers, novelists, poets, psychologists, and more!

Specifically, the Epic Bootcamp is designed to help you tell “epic” stories. Not just your run-of-the-mill tale, but something that shakes your reader to the core and leaves your indelible mark on their soul forever. Am I qualified to help you do that? Well, I’ve studied epics for more than 14 years, but not only that, I’ve written 20+ books, many of which are considered epic in scale, scope, and feeling.

That reminds me, you’ll also get a FREE digital copy of my epic novel Nekyia as a proof-of-concept for the principles I teach! 

Furthermore, anyone who signs up to my Epic Bootcamp will also get a free 1-month trial membership to Let’s Get Published, a writer’s mastermind group run by the awesome Christa Wojciechowski.

So, if you want to take your stories for ‘eh’ to ‘epic’, head on over to the Epic Bootcamp!